Cast: Dennis Trillo, Lovi Poe, Erich Gonzales, JC de Vera, Carla Abellana
Release Date: December 25, 2014
The “Ahas” episode of “Shake Rattle & Roll XV” will not bear similarities with true-to-life personalities and situations according to Regal Films’ producers Lily and Roselle Monteverde. According to urban legends, the mall snake is inspired by the 1980’s story about a monster twin of a rich scion who abducts and eats beautiful women in the secret chambers of a department store’s dressing rooms.
Cast: Cast: Aljur Abrenica, Louise delos Reyes, Kristofer Martin
Release Date: February 12, 2014
A group of people gets stuck in a basement parking for the night. At the onset, some are irritated and just can’t wait to go home, while some don’t even give a damn, knowing they can easily come out the next day. But when the power is shut off and as it gets close to midnight, strange things start to happen.
It all starts with one death. Followed by another and another. They don’t really witness the killings, but they hear the screaming, and they see the bloodied bodies thereafter, making them fear for their lives.
As the night unfolds, they soon realize they’re not dealing with an ordinary being. There’s an evil creature stuck inside the basement with them. But what kind of creature is this? And how can they fight it?
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'Pagpag' will be a co production of Star Cinema and Regal Films, the two big film production in the country. Dominic Roque, Michelle Vito and CJ Navato will be seen also in the project and it is directed by Frasco Mortiz.
Main Cast: Baron Geisler, Meryll Soriano, Dennis Trillo
Release Date: November 6, 2013
With the rival station Philippine Broadcasting Channel (PBC) eating up the TV audiences' major share, Sarimanok Broadcasting Network (SBN) needs a miracle to stay alive in the competition. In these mad and fearful times, SBN's news team finds that documenting an actual spiritual possession would be their only hope.
Tasked to head the documentary production is MERYLL FLORES, a trainee TV Executive producer, along with DENNIS MARQUEZ, the reporter. Needless to say, the success of the project will also secure their eventual promotion in the company.
However, the miracle seems to evade Meryll's team. They go to distant places, schools, provincial areas, religious groups, and faith healers, just to cover the case of mass possession. Worse, BARON VALDEZ, cameraman of the rival network PBC, is the one who was able to capture the isolated case of demonic possession that involved a high school teacher (Ruby).
To fulfill her task, Meryll enters into a deal that is more profoundly horrifying than the harrowing scene of paranormal possession. To acquire the needed footage, she buys the outtakes of the Ruby possession case from Baron.
But at the point where Meryll imagines to be the turning point of her new career, an exorcising reality dawns on her with a spiralling effect that mirrors the political system governing the TV network.
Cast: Sharlto Copley, Joseph Morgan, Thomas Kretschmann
Release date: Friday, January 3, 2014
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A man wakes up in a pit of dead bodies with no memory of who he is or how
he got there. Fleeing the scene, he breaks into a nearby house and is met at
gunpoint by a group of terrified strangers, all suffering from memory loss.
Suspicion gives way to violence as the group starts to piece together clues
about their identities, but when they uncover a threat that's more vicious and hungry
than each other, they are forced to figure out what brought them all
together before it's too late. (source
-imdb)
Cast: Andrew Jacobs, Molly Ephraim, Richard Cabral
Release date: Friday, January 3, 2014
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Described by sources as a “cousin” to the Paranormal Activity movies. The film will be Latino-themed. It will star a Latino cast and will tackle Catholic-based paranormal mythology.
Cast: Nicholas D'Agosto, Emma Bell, Arlen Escarpeta
Release Date: 2011
The fifth installment of the franchise in which teens escape a deadly accident only to later discover that death is hunting them down. The opening scene will involve a suspension bridge and another scene reportedly involves a character undergoing laser-eye surgery.
On what should have been a fun-filled day at the races, Nick O'Bannon has a horrific premonition in which a bizarre sequence of events causes multiple race cars to crash, sending flaming debris into the stands, brutally killing his friends and causing the upper deck of the stands to collapse on him.
Cast: Mary Elizabeth Winstead, Ryan Merriman, Kris Lemche
Release Date: 2006
A student's premonition of a deadly rollercoaster ride saves her life and a lucky few, but not from death itself which seeks out those who escaped their fate.
The sequel is the story of a bunch of people meeting because of a traffic accident due to a premonition by a freshman in college. What transpires is a rush to save the life of an unborn child with the help of Clear Rivers, [played by Ali Larter, from the first movie). The story of this film and the events of the first movie unexpectedly coincide and intertwine to create many surprises and revelations about Death and its plans on Earth.
In this spin on the fairy tale, Hansel & Gretel are now bounty hunters who track and kill witches all over the world. As the fabled Blood Moon approaches, the siblings encounter a new form of evil that might hold a secret to their past.
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An expectant couple moves into the most haunted fixer-upper in New Orleans and only the Vatican's elite exorcism team can save them - or can they?
Jack (Rob Corddry) and Vanessa (Leslie Bibb) are an expectant couple that moves into the most haunted fixer-upper in New Orleans a house with a deadly demonic curse. Things soon spiral out of control for Jack and Vanessa, as well as their-not-so-helpful neighbor F'Resnel (Keegan-Michael Key), Vanessa's friendly psychiatrist (Michael Ian Black), Vanessa's Wiccan sister Marjorie (Riki Lindhome) and the detectives assigned to look into the rising body count (Rob Huebel and Paul Scheer). Only the Vatican's elite exorcism team (Thomas Lennon and Robert Ben Garant ) san save them or can they?
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With the rest of the campus at home for the Thanksgiving holiday, Justine (Bennett) and a few of her friends spend the weekend in their college dormitory: studying, relaxing, and blissfully unaware of the terror that is about to unfold outside in the cold. Suddenly, confronted by a gang of violent outcasts, Justine's quiet long weekend becomes one long lesson in survival as she and her classmates are terrorized in increasingly bizarre and brutal ways, leaving it up to her to figure out who her attackers are… and if they can be stopped.
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When a gang of masked, ax-wielding murderers descend upon the Davison family reunion, the hapless victims seem trapped...until an unlikely guest of the family proves to be the most talented killer of all.
During a family reunion getaway, the Davison family comes under a sadistic attack. When Crispian Davison (Bowen) brings his new girlfriend (Vinson) along to celebrate the wedding anniversary of his parents (Moran and Crampton), the family’s evening together is shattered when a gang of mysterious killers begin to hunt the family down with brutal precision. Unfortunately for the killers however, one of the victims harbors a secret talent for fighting back.
The Road is about a twelve-year-old case which is reopened when three teens gone missing in an abandoned road. In the course of the investigations, deeper and gruesome stories of abduction and murders were discovered. After more than two decades, the secrets of the road were finally revealed and the ghost lingering in the dark and desolated pathway is out to make sure that nobody leaves alive.
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The Road is definitely distinctive due to its effective psychological approach to a Horror film. I think that only Yam Laranas could do such horror flicks. It may not boast as many jump-out scares like Feng Shui's or Sukob's but the fear is skin-deep. However, I have a doubt that some or even majority of the Pinoy Moviegoers may not find The Road a good one since we are so used with the typical flick. On some point, Yam Laranas may have overlooked on some elements such as more ingredients for every Horror Scene. But whatever it is, I must admit that The Road's premise is so promising and it is artistically done compared with other Pinoy Horror films that put their focus on jump-put scare scenes and risk their Plot and Cinematography in the end. It will give you goosebumps but it lacks genuine scares.
CAST: Rica Peralejo, Marvin Agustin, Dingdong Dantes, Ana Capri, Jackie Castillejos, Ricky Davao, Wowie De Guzman, Eugene Domingo, Madeleine Nicolas, Barbara Perez, Tyron Perez, Nikki Valdez, Shintaro Valdez
Billed as a horror thriller film, Jose Javier Reyes’s Malikmata is more than meets the eye. At the heart of movie is the search for justice. Justice is supposed to be blind. However, in Malikmata, the poor and marginalized look for justice elsewhere. It is found in the visions of a reluctant heroine.
Sarah (Rica Peralejo) is a young woman with the gift of seeing and hearing things before they happen. As a child, she sees her father’s death before it happens. A gift she inherited from her grandmother, Sarah is reluctant to use her gift (she gets a nosebleed every time she has visions) as her mother and her auntie Felicitas Joaquin (Madeleine Nicolas) tell her not to use it since it a curse and “mala-demonyo.” She perceives the gift as “labag sa Bible” and denies herself to use it.
Two women, a rich and prominent civic leader Mrs. Ellen Saavedra (played by Barbara Perez) and house helper Ditas (played by Ana Capri) are murdered. Sarah has visions of the murder but is told by her auntie to keep quiet and not to interfere with the investigation. Mrs. Saavedra’s family deals with the police in their search for the murderer so that justice can be done. However, the police investigation is focused only on the murder of the rich socialite. It is as if Ditas was not murdered or her murder did not matter. Who is seeking justice for Ditas? Justice, in Malikmata, is not for all.
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To add insult to Ditas’s fatal injury, her carpenter boyfriend Rodolfo Magsilang (played by Wowie De Guzman) is accused for her and her employer’s murder. The police investigators assume that Magsilang, a poor young man trying to seek a better life abroad, was trying to steal from the rich Saavedra. In reality, Magsilang was the one robbed of the love of his life. As Saavedra’s family grieves for her in an opulent air-conditioned Funeraria Paz, Magsilang grieves alone and silently for his lost Ditas in a small decrepit rain drenched funeral parlor.
Is justice done? As a young man is accused of murder, the real murderer appears to have one-upped the inutile and one-track mind of the police investigators. Who helps the house helper seek justice? Ditas haunts Sarah to hunt for her murderer. Ditas turns to Sarah whose conscience cannot accept that an innocent young man will go to jail for a crime he did not commit, a great injustice. As Sarah is transformed, she realizes that she can use her gift to help other people. She uses her gift to help find the elusive justice for Ditas. She goes to the police to tell her about her visions but is dismissed as a “sira-ulo.” She turns to Patrick (Marvin Agustin), grandson of Mrs. Saavedra, and a group of fellow clairvoyants (the film digresses into some sort of a Spirit Questors cum Voltes V at this point) to find the real murderer.
More than a horror detective thriller, Malikmata also offers a searing commentary on the justice system in the Philippines. Narding Mojica (Ricky Davao), an estranged relative of Saavedra, criticizes the police investigators as “imbestigador na pulpol at nagdudunong-dungungan.” As he is also suspected of murder, Narding insinuates to Patrick that his grandmother’s lawyer is suspicious and that all lawyers are untrustworthy.
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In Malikmata, justice is not for all. Where does the poor marginalized sector of society search for their justice? In Malikmata, they turn to the visions of a young clairvoyant. It is Ditas who continues her search for justice through Sarah. Ditas cannot rest peacefully until her real murderer is brought to justice. It is notable that it is not Mrs. Saavedra who “shows” herself to Sarah. It is Ditas, the one who feels the injustice. Malikmata is Ditas’s search for justice that eludes her. Justice for Ditas is found through the gift of Sarah’s vision. Justice is served and Sarah is transformed. A gift once reluctantly perceived now gracefully received.
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Title: Shake Rattle and Roll XV (2014)
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